Happy Free Comic Book Day 2017!

FCBD-logo2That’s right, comic book fans, today is the sixteenth annual Free Comic Book Day at brick-and-mortar and online comic shops around the world. Held the first Saturday in May, this year’s event is timed to coincide with yesterday’s release of Marvel Films’ latest blockbuster, Guardians of the Galaxy, Vol. 2, in which Peter Quill, aka Star-Lord (WHO?!), Gamora, Drax, Rocket Raccoon, and Groot face a new cosmic threat—all while grooving to another sound track that relies heavily on 1970s and ’80s tunes. And in keeping with FCBD’s fine tradition of gifting comics to fans everywhere, here’s a list of StarWarp Concepts’ offerings that you can download directly from us!

heroines_large_coverHeroines & Heroes: A collection of comic stories and pinups all drawn by me, dating back to my days in the early 1990s small-press movement—that age of dinosaurs in which creators like me used to make our comics by printing them out on photocopiers and then stapling them by hand. In H&H you’ll find mainstream heroes and small-press heroines, and even a couple of anthropomorphic bikers. Leading off is “V-A-C-A-T-I-O-N (in the Summertime),” a three-page Wonder Woman vs. Harley Quinn story that I wrote and drew in the late ’90s as a sample for a DC Comics editor who thought I’d be a good fit for their Batman: The Animated Series comic (it didn’t work out). It’s followed by an adventure of small-presser Jeff Wood’s rabbit-eared superspy, Snowbuni; three pages from the long-canceled indie comic Motorbike Puppies; and an adventure of the indie superheroine The Blonde Avenger.

Pandora0_CoverThe Saga of Pandora Zwieback #0: A full-color introduction to the young adult novel series of the same name, hosted by Pan herself. Pan is a 16-year-old New York City Goth who’s not only a horror fangirl but someone with the rare ability to see the for-real monsters that regular humans can’t (she calls it her “monstervision”), and with the help of a 400-year-old, shape-shifting monster hunter named Sebastienne “Annie” Mazarin, she’s learning how to protect her family, her friends, and the world from the supernatural dangers out there—and maybe even have some fun while doing it. This 16-page comic features a seven-page story written by me, with art and color by Eliseu Gouveia (The Saga of Pandora Zwieback Annual #1, Carmilla, A Princess of Mars), and includes two sample chapters from Blood Feud, the first Pan novel.

Heartstopper #1Hearstopper: The Legend of La Bella Tenebrosa #1–3: Before she became Pan’s monster-hunting mentor, Sebastienne Mazarin made her debut in this short-lived, 1990s Mature Readers series from Millennium Publications. A nefarious heavy metal band has arrived in New York City, and its lead singer is more than just a sex magnet for his female fans—he’s an incubus! Will Annie put an end to his plans for worldwide chaos, or fall prey to his supernatural charms? Written by me (of course), issue 1 is drawn by Pan and Annie co-creator Uriel Caton (JSA Annual) and inker Alan Larsen (Femforce); issue 2 is penciled by Uriel, Holly Golightly (School Bites), and David C. Matthews (Satin Steele) and inked by Larsen. Issue 3 (which Millennium never published) is penciled by Holly, with four pages of inks by “Chainsaw” Chuck Majewski (Harvey Kurtzman’s New Two-Fisted Tales). As a special bonus, issue 3 includes a short preview of the also-never-published Heartstopper/Trollords, a proposed one-shot special that would have had Annie meet Harry, Larry, and Jerry, the Three Stooges–inspired trolls created by Scott Beaderstadt and Paul Fricke, written by me with pencils by Holly and Scott and inks by Bill Lavin (Troubleshooters, Incorporated: Night Stalkings).

Warning: Heartstopper is designated a “Mature Readers” comic for violent scenes and some sexual innuendo, so younger Panatics should avoid it.

All these comics are available for download right now, so visit their respective product pages for more information.

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Hooked On a Painting

Marvel Preview 18 - Bob LarkinHey, sci-fi and Marvel Comics fans! As you’re probably aware, today’s the U.S. release date for Guardians of the Galaxy, Vol. 2, the much-anticipated sequel to the blockbuster Marvel Films sci-fi epic that proved that not only can you make a movie that co-stars a walking tree and a talking raccoon and still rule the box office, you can fill its sound track with a selection of classic pop hits from the 1970s and get the youth of today to go wild for them. Returning cast members include Chris Pratt as the Guardians’ leader, Peter Quill (aka Star-Lord), Zoe Saldana as Gamora, Dave Bautista as Drax, and Bradley Cooper and Vin Diesel as the voices of Rocket Raccoon and Baby Groot, respectively.

Speaking of Star-Lord, were you aware that he’s one of the many Marvel characters immortalized by painting legend and SWC contributor Bob Larkin? He is! Back in the 1970s, Marvel Comics had a line of comic magazines and Bob provided quite a number of covers for their titles—and one of those, Marvel Preview #18, featured the future Guardian of the Galaxy back when he wore a more superhero-ish costume and his talking starship—called “Ship,” as opposed to the movies’ nontalkative Milano—was his best friend. Looks incredible, doesn’t it? Click on the image to embiggen, as the saying goes.

The Bob Larkin SketchbookAnd while we’re on the subject of Bob and his amazing work, have you seen SWC’s The Bob Larkin Sketchbook? If not, you’re missing out on spectacular pencil drawings of femme fatales, pulp adventurers, superheroes, star warriors, and a host of other characters by Bob, whose cover paintings graced such Marvel Comics titles as Dazzler, The Hulk!, Savage Sword of Conan the Barbarian, Haunt of Horror, and Tomb of Dracula, not to mention his renowned work as a cover painter for Bantam Books’ Doc Savage pulp novel reprints. It’s 24 pages of artistic goodness, available exclusively from the StarWarp Concepts webstore.

Visit the Bob Larkin Sketchbook product page for all the ordering information, as well as sample pages.

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May the Fourth Be With You in 2017!

star-wars-40th-logoIf you’re a science fiction fan, you probably know what the headline of this post means—yup, today is Star Wars Day, that annual celebration of George Lucas’s legendary franchise that retook the world by storm in December 2015 with the box office mega-success of Star Wars: The Force Awakens (aka Star Wars: Episode VII), which in turn set the stage for last December’s release of Rogue One: A Star Wars Story, the “heist film” prequel to Episode IV: A New Hope that explained how Princess Leia got the plans to the original Death Star. And now this year we’ve got Star Wars, Episode VIII: The Last Jedi to look forward to! It’s an exciting time to be a Star Wars fan, isn’t it?

To explain this special occasion, we look to the official Star Wars website:

“‘May the 4th be with you.’ What started as pun warmly shared by fans has become a full-fledged Star Wars holiday: Star Wars Day, a special once-a-year celebration of the galaxy far, far away…. Once the Internet allowed Star Wars fans around the world to connect with one another, May the 4th soon became a grassroots tradition each year, with fans online and offline proclaiming it Star Wars Day.”

Goth-VadersSo, why is StarWarp Concepts—a horror publishing house, in spite of our science-fictiony name—celebrating Star Wars Day? Because we know how to take advantage of a promotional opportunity, that’s why!

What you see here is a sketch cover I drew in 2015, in time for The Force Awakens’ debut (clink the image to embiggen). It depicts SWC’s resident teenaged Goth monster hunter, Pandora Zwieback, as an original Star Wars character: Darth Pandoricus! And standing behind her is her best friend, Sheena McCarthy, as the dreaded Lady She’naa. After all, it only makes sense that a couple of Goth chicks would want to be dark ladies of the Sith!

For those of you unfamiliar with Pan—just in case you stumbled across the above illustration during your Internet journeys—allow me to provide you with some background:

pan_comic_0Pan—the star of Zwieback in my young adult novel series The Saga of Pandora Zwieback—is a 16-year-old Goth girl who’s spent the last decade being treated for mental health problems because she can see monsters. It’s only after she meets Annie that Pan discovers she’s never been ill—her so-called “monstervision” is actually a supernatural gift that allows her to see into Gothopolis, the not-so-mythical shadow world that exists right alongside the human world. You’ll find Annie battling evil in the following titles:

The Saga of Pandora Zwieback #0: A free, downloadable comic that serves as an introduction to Pan and Annie—with an 8-page story written by me and illustrated by Eliseu Gouveia—as well as Pan’s first novel, Blood Feud (via a pair of preview chapters).

Blood FeudBlood Feud: The Saga of Pandora Zwieback, Book 1: This critically acclaimed novel is the beginning of Pan’s story, explaining how she, her parents and friends, and Annie are drawn into a conflict among warring vampire clans searching for the key to an ultimate weapon (or so the legend goes)—a key that just so happens to have been delivered to the horror-themed museum owned by Pan’s father. It’s a character-driven action-fest that leads immediately into the second novel:

Blood Reign: The Saga of Pandora Zwieback, Book 2: Pan and Annie face even greater challenges as the vampire clans draw up plans to go to war with humanity. Leading the charge is a fallen angel named Zaqiel, whose previous attempt at subjugating the world was stopped by Annie—who, back in the day, was Zaqiel’s lover!

pan_annual_lgThe Saga of Pandora Zwieback Annual #1: A spinoff from the novel series, this 56-page, full-color comic special finds the teenaged Goth adventuress battling vampires and a jealous, man-stealing siren. It features stories by me and Sholly Fisch (Scooby-Doo Team-Up), art by Eliseu Gouveia (The Saga of Pandora Zwieback #0), comic-art legend Ernie Colon (Amethyst, Princess of Gemworld), and Elizabeth Watasin (Charm School), and cover art by award-winning artist Henar Torinos (Mala Estrella).

Blood Feud, Blood Reign, and the Pan Annual are available in print and digital formats. Pandora Zwieback #0 is a digital exclusive. Visit their respective product pages for ordering information, as well as sample pages and chapters.

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Red Sonja Walks to Oblivion at Comics for Sinners

RedSonja-WalkOblivion-CvrOver at Comics for Sinners you’ll find my review of Red Sonja: The Long Walk to Oblivion, a one-shot special on sale May 10 from Dynamite Entertainment. Written by Erik Burnham (Mars Attacks the Real Ghostbusters) and illustrated by comic-art great Tom Mandrake (Batman, Swamp Thing), it’s a direct prequel to Dynamite’s new Sonja series, with the chain-mail-bikini-wearing She-Devil With a Sword being hired to fight a giant demon that’s destroying a town—or, as Sonja calls it, “Tuesday.” Head over to C4S to find out more.

Speaking of sexy redheaded heroines, have you met Lorelei, StarWarp Concepts’ resident soul-stealing succubus? Making her small-press comics debut in 1989, Lori is SWC’s first leading lady of horror, and currently stars in two critically acclaimed titles:

Lorelei: Sects and the CityLorelei: Sects and the City is a Mature Readers graphic novel in which Lori battles a cult of Elder God worshipers attempting to unleash hell on Earth. Basically a love letter to 1970s horror comics like Vampirella, Tomb of Dracula, and Ghost Rider, it’s written by yours truly, Steven A. Roman (Stan Lee’s Alexa, X-Men: The Chaos Engine Trilogy), and illustrated by Eliseu Gouveia (Vengeance of the Mummy, Lady Death), Steve Geiger (Web of Spider-Man, Incredible Hulk), and Neil Vokes (Flesh and Blood, Fright Night). It also features a cover by legendary artist Esteban Maroto (Vampirella, Zatanna, Lady Rawhide), a frontispiece by original Vampirella artist Tom Sutton (Ghost Rider, Man-Thing, Werewolf by Night), and a one-page history of succubi illustrated by Ernie Colon (Vampirella, The Grim Ghost).

“I can honestly say that I enjoyed the hell out of this book…. The art is solid, the story is full of lots of things that make the horror genre so great, and the overall quality of the book is top notch.”Die-Screaming

“Kudos to Roman for capturing the essence of 1970s fare like Vampirella. Filled with ghouls, chicks, and some strong artwork, this is a title that might’ve piqued Hammer Studios’ interest back in the day.”Dread Central

House_Macabre_large_finalLorelei Presents: House Macabre: It’s Lori’s first outing as the hostess of a horror comic anthology, in this one-shot special that contains four tales of horror, behind eye-catching cover art by fan-favorite artist Louis Small Jr. (Vampirella, Supergirl, Batman 80-Page Giant).

  • “The Old, Dark Manse” is written by me and illustrated by Uriel Caton (JSA Annual, The Ex-Mutants, Heartstopper: The Legend of La Bella Tenebrosa) and “Chainsaw” Chuck Majewski (Harvey Kurtzman’s New Two-Fisted Tales), and has Lori welcoming readers to this special.
  • “All in Color for a Crime” is another tale from me, with art by Lou Manna (T.H.U.N.D.E.R. Agents, Young All-Stars). Two comic book collectors clash over a rare back issue—and only one of them will be adding it to their long boxes!
  • “The Basilisk,” from me and artist John Pierard (Graphic Classics: Horror Classics, My Teacher Fried My Brains), is a “Lori’s Feary Tale” that examines the history of a supernatural creature that’s a cross between a deadly snake and a…chicken?!
  • Wrapping up the special is “Requiem for Bravo 6,” by New York Times bestselling author and comic writer Dwight Jon Zimmerman (She-Hulk, Steve McQueen: Full-Throttle Cool) and artist Juan Carlos Abraldes Rendo. A special-ops team goes on a life-or-death mission…but will they be prepared for what awaits them at mission’s end?

“This is like a cross between Elvira and House of Mystery, where you’ve got a very sexy hostess who loves the Macabre and tells you stories that are supposed to chill and thrill you…. This whole book is such a pleasant surprise, [and] something that should be sought out by everyone.”Reading With a Flight Ring

“Any fans of the old-fashioned horror anthology comics (Eerie, Creepy, Tales From the Crypt, etc.) is gonna want to take a look at this one-shot from StarWarp Concepts…. If campy horror fun is your thing, this should be a hit for you.”The Pullbox

Both titles are available in print and digital formats, so visit their respective product pages for ordering information, as well as sample pages. They’d both make terrific holiday presents for the bad-girl-comic enthusiasts on your shopping list!

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Simian Saturdays: The Handy Recap

Simian-Saturdays-logoIn case you missed it, from February 5 to April 1 of this year we ran Simian Saturdays, a series of reviews that examined the movies (and other media) that focused on King Kong, the giant monkey that captured generations of monster fans’ hearts. It was part of our promotion for the latest addition to our Illustrated Classics library: the e-book-exclusive edition of the 1932 novelization of King Kong, which is on sale right now.

Written by Delos W. Lovelace, based on the story by Edgar Wallace and Merian C. Cooper and the screenplay by James A. Creelman and Ruth Rose, the SWC edition of King Kong features scenes that didn’t appear in the final cut of the film—including the notorious “spider pit” sequence in which Kong’s human pursuers are attacked by horrific arachnids and insects. What makes our version special is that it contains six exclusive, original black-and-white illustrations by comics artist Paul Tuma, whose pulp-influenced style has appeared in the pages of The Twilight Avenger, Flare, and Dan Turner: Hollywood Detective.

King_Kong_LG_CoverNot familiar with the beauty-and-the-beast story of Kong and his “love interest,” Ann Darrow (who was played in the 1933 original by the queen of the scream queens, Fay Wray)? Well, here’s our edition’s back-cover copy to bring you up-to-date:

Ann Darrow was a down-on-her-luck actress struggling to survive in Depression-era New York when she met moviemaker Carl Denham. He offered her the starring role in his latest film: a documentary about a long-lost island—and the godlike ape named Kong rumored to live there. Denham needed a beauty as a counterpart to the beast he hoped to find, and Ann was the answer to his prayers.

Mystery, romance, a chance to turn her life around, even the possibility of stardom—to Ann, it sounded like the adventure of a lifetime! But what she didn’t count on were the horrific dangers that awaited her on Skull Island—including the affections of a love-struck monster . . .

With Simian Saturdays having reached its end last weekend (for the time being), I thought today would be the perfect time to list the reviews that appeared in the series. If you missed anything the first time, here’s your opportunity to catch up!

king_kong_ver7February 18: King Kong: The original Merian C. Cooper–produced, Ernest B. Schoedsack–directed classic, starring Fay Wray, Robert Armstrong, and Bruce Cabot

February 25: King Kong: The Dino De Laurentiis–produced 1976 reboot, starring Jessica Lange, Jeff Bridges, and Charles Grodin

March 5: King Kong: Director Peter Jackson’s 2005 reboot, starring Naomi Watts, Adrien Brody, and Jack Black

March 11: Anthony Browne’s King Kong: A 1994 children’s book that adapted the original Kong, but with a twist!

March 18: Kong: Skull Island: The latest cinematic reboot of the franchise, starring Tom Hiddleston, Brie Larson, John Goodman, Samuel L. Jackson, and John C. Reilly

March 25: Giant Classic King Kong: A 1968 comic-book adaptation published by Gold Key Comics

April 1: King Kong: The Original RKO-General Motion Picture Classic: An audio-drama adaptation originally released in the 1960s and ’70s as an album

King Kong (the SWC edition) is available right now for download, so visit its product page for ordering information.

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Skull Island: The Birth of Kong Review at Comics for Sinners

SkullIslandKong01Over at Comics for Sinners you’ll find my review of Skull Island: The Birth of Kong #1, now on sale from Legendary Comics. Written by Arvid Nelson (Rex Mundi, Warlord of Mars: Dejah Thoris) and illustrated by Mohammad Yazid (Son of Merlin), it’s both a sequel and a prequel to the recent box office smash Kong: Skull Island, and provides an origin story for Kong while at the same time expanding on the “MonsterVerse” that Legendary started building with their 2014 Godzilla reboot. Head over to C4S to find out more.

Speaking of the king of Skull Island, are you aware that just last month StarWarp Concepts published King Kong, the 1932 novelization of the original monster movie, as the latest title in our Illustrated Classics line? No? Then allow me to explain…

King_Kong_LG_CoverWritten by Delos W. Lovelace, based on the story by Edgar Wallace and Merian C. Cooper and the screenplay by James A. Creelman and Ruth Rose, King Kong features scenes that didn’t appear in the final cut of the film—including the notorious “spider pit” sequence in which Kong’s human pursuers are attacked by horrific arachnids and insects. What makes our version special is that it contains six exclusive, original black-and-white illustrations by comics artist Paul Tuma, whose pulp-influenced style has appeared in the pages of The Twilight Avenger, Flare, and Dan Turner: Hollywood Detective.

Not familiar with the beauty-and-the-beast story of Kong and his “love interest,” Ann Darrow (who was played in the 1933 original by the queen of the scream queens, Fay Wray)? Well, here’s our edition’s back-cover copy to bring you up-to-date:

Ann Darrow was a down-on-her-luck actress struggling to survive in Depression-era New York when she met moviemaker Carl Denham. He offered her the starring role in his latest film: a documentary about a long-lost island—and the godlike ape named Kong rumored to live there. Denham needed a beauty as a counterpart to the beast he hoped to find, and Ann was the answer to his prayers.

Mystery, romance, a chance to turn her life around, even the possibility of stardom—to Ann, it sounded like the adventure of a lifetime! But what she didn’t count on were the horrific dangers that awaited her on Skull Island—including the affections of a love-struck monster . . .

King Kong (the SWC edition) is available right now for download, so visit its product page for ordering information.

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‘Warped Week: April 2, 2017

pan_annual_lgWelcome to ’Warped Week, a weekly recap of what we’ve been up to at ’Warp Central recently. If you missed anything, now’s the perfect time to catch up!

Blogging-wise it was a pretty light week; sometimes life—in this case, the demands of my day job—just has to take priority, y’know? But I still found time to update you folks on what we’ve been doing around here. For instance:

On Tuesday we brought you up-to-date on SWC comic creators in the news: writer Sholly Fisch, who has a new Mighty Mouse miniseries on the way; comic artist Eliseu Gouveia, who worked on the comic sequel to the action/sci-fi flick Equilibrium; and art legend Ernie Colon, whose new nonfiction political graphic novel, The Torture Report: A Graphic Adaptation, debuted on Tuesday. I also found a way to sneak in a plug for The Saga of Pandora Zwieback Annual #1, a full-color comic published by SWC on which all three gentlemen worked.

king-kong-audioFriday was another installment of Hail to the King (Kong), with a month-end recap of all the Kong-related posts that ran in March—movie reviews, comic reviews, cover galleries, etc.

And in yesterday’s installment of Simian Saturdays, we examined King Kong: The Original RKO-General Motion Picture Classic, a well-produced 1960s audio-drama adaptation of the original Kong that was released as an album and sold primarily through the mail-order pages of monster-movie magazines like Famous Monsters of Filmland.

And that’s the (short) week. What’s coming next? You’ll have to keep checking this blog during the days ahead—or join us on Sunday for the next installment of ’Warped Week. See you then!

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Simian Saturdays: King Kong: The Audio Drama

Simian-Saturdays-logoWelcome back to Simian Saturdays, a series of reviews that examine the movies (and other media) that focused on King Kong, the giant monkey who’s captured generations of monster fans’ hearts. It’s part of our promotion for the latest addition to our Illustrated Classics library: the e-book-exclusive edition of the 1932 novelization of King Kong, which is on sale right now.

Written by Delos W. Lovelace, based on the story by Edgar Wallace and Merian C. Cooper and the screenplay by James A. Creelman and Ruth Rose, it features scenes that didn’t appear in the final cut of the film—including the notorious “spider pit” sequence in which Kong’s human pursuers are attacked by horrific arachnids and insects. What makes our version special is that it contains six exclusive, original black-and-white illustrations by comics artist Paul Tuma, whose pulp-influenced style has appeared in the pages of The Twilight Avenger, Flare, and Dan Turner: Hollywood Detective.

King_Kong_LG_CoverNot familiar with the beauty-and-the-beast story of Kong and his “love interest,” Ann Darrow (who was played in the 1933 original by the queen of the scream queens, Fay Wray)? Well, here’s our edition’s back-cover copy to bring you up-to-date:

Ann Darrow was a down-on-her-luck actress struggling to survive in Depression-era New York when she met moviemaker Carl Denham. He offered her the starring role in his latest film: a documentary about a long-lost island—and the godlike ape named Kong rumored to live there. Denham needed a beauty as a counterpart to the beast he hoped to find, and Ann was the answer to his prayers.

Mystery, romance, a chance to turn her life around, even the possibility of stardom—to Ann, it sounded like the adventure of a lifetime! But what she didn’t count on were the horrific dangers that awaited her on Skull Island—including the affections of a love-struck monster . . .

king-kong-audioToday we’re turning our “listening ears” (as Judge Judy likes to say) to King Kong: The Original RKO-General Motion Picture Classic, an audio adaptation produced by children’s story-record company Wonderland Records and released in album form in the late 1960s or early 1970s (the exact date is unknown).

Adapted by Cherney Berg and directed by actor Daniel Ocko, this version of King Kong is narrated from the point of view of Captain Englehorn (voiced by Ocko), commander of the tramp steamer Sumatra (as opposed to the Wanderer in the Lovelace novelization and the Venture in the film) and a character played by Frank Reicher in the 1933 film and its sequel, Son of Kong. Ocko is joined in this “radio-style play” by fellow radio-drama veterans Elaine Rost (Suspense, Adventures of Frank Merriwell) as Ann Darrow and Ralph Bell (CBS Radio Mystery Theater, Cloak & Dagger) as Carl Denham, and by soap-opera regular Nat Polen (As the World Turns, One Life to Live) as Jack Driscoll. The four actors also play other characters.

The Kong Radio Players: Daniel Ocko & Elaine Rost (top); Ralph Bell & Nat Polen (bottom)

The Kong Radio Players: Daniel Ocko & Elaine Rost (top); Ralph Bell & Nat Polen (bottom)

The trip to Skull Island is leisurely paced—the ship doesn’t arrive until close to halfway through—and Kong doesn’t make the scene until the twenty-minute mark. That means things move quickly from that point on to squeeze the movie’s 104-minute running time down to thirty-six minutes; considering that side 1 of the album is titled “The Journey to the Island” and side 2 is “The Capture, Triumph, and Death of King Kong,” it should give you a good indication of how quickly the Skull Island and New York sections of the story are run through. It also requires Englehorn’s involvement in Ann’s Skull Island rescue party and Kong’s New York rampage to maintain the narration, even though in both the book and the movie he’s involved in neither. The one break with this approach comes when the Army pilots strafing Kong are involved—something Englehorn couldn’t be a participant in—but he’s back soon enough to wrap up the story of beauty and the beast.

kong-recordAnd yet it all works. Making Englehorn the lead brings a fresh perspective to a story normally focused on the Kong-Ann-Driscoll love triangle, and Ocko’s German-accented captain makes for an extremely engaging narrator. There’s also a charming quality to the interplay between the characters—well, right up to the moment that Denham and Driscoll get into a brawl over Ann (a scene original to this version of the story). And Rost does a good job of matching Fay Wray’s decibel levels when it comes to screaming in horror.

Bottom line? King Kong: The Original RKO-General Motion Picture Classic is long out of print, and Wonderland Records shut down in the early 1980s, but you can still track down copies of the LP online, or you can visit the Internet Archive, where the file has been posted for free download. (Note: It’s misidentified as a 1938 radio play.) Give it a listen; it’s a pleasant way to pass a half hour.

King Kong (the SWC edition) is available right now for download, so visit its product page for ordering information.

Coming Next Saturday: Are you a music buff? Do you love orchestral movie sound tracks? Then join us us next time for the final installment of Simian Saturdays as we listen to the music that helped bring a stop-motion-animated monkey to life, with King Kong: The Complete 1933 Film Score by Max Steiner! See you then!

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Hail to the King (Kong): March 2017 Recap

Hail-King-logoWelcome back to Hail to the King (Kong), a series of posts that’ll pop up here and there that focus on merchandise and other things that relate to the giant gorilla who’s captured the hearts of monster-movie fans since his debut in 1933. It’s part of our promotion for the latest addition to our Illustrated Classics library: the e-book-exclusive edition of the 1932 novelization of King Kong, which is on sale right now.

Written by Delos W. Lovelace, based on the story by Edgar Wallace and Merian C. Cooper and the screenplay by James A. Creelman and Ruth Rose, it features scenes that didn’t appear in the final cut of the film—including the notorious “spider pit” sequence in which Kong’s human pursuers are attacked by horrific arachnids and insects. What makes our version special is that it contains six exclusive, original black-and-white illustrations by comics artist Paul Tuma, whose pulp-influenced style has appeared in the pages of The Twilight Avenger, The Green Hornet, and Dan Turner: Hollywood Detective.

With March having reached its end, I thought it’d be the perfect time to recap the Kong-ly doings that went on here during the month. If you missed anything the first time, here’s your opportunity to catch up!

KingKong-2005On March 5, as part of our Simian Saturdays series I reviewed Peter Jackson’s 2005 remake of King Kong. It’s a good movie—certain better than the 1976 version, which I also reviewed—but it still falls short of matching the original Kong (and yes, I reviewed that, too, back in February).

March 7 was the publication day for our King Kong novelization—an exciting day for us, as you’d probably expect!

For March 9, we launched Hail to the King (Kong) with a small gallery of King Kong lobby cards that were used in movie theaters to promote the original version of Kong.

On March 10, Kong: Skull Island debuted in movie theaters and made quite the impression on moviegoers—three weeks later, it’s still one of the top 3 box-office hits, is the number 3 top-grossing movie of 2017 (according to Box Office Mojo), and is still playing to packed houses! (Hey, not everyone’s interested in seeing Beauty and the Beast and Power Rangers.)

kong-skull-island-posterOn March 11, Simian Saturdays continued with my review of Anthony Browne’s King Kong, a 1994 children’s book that adapted the original Kong, but with a twist: the artist/writer recast the role of Kong’s leading lady, Ann Darrow, replacing original actress Fay Wray with Marilyn Monroe!

On March 18, the Simian Saturdays entry was my review of Kong: Skull Island. I really liked it, and I’m not just saying that because we published King Kong—I’ve seen Skull Island twice now, and movie-theater repeats are a rarity for me, given the price of tickets these days.

On March 23, Hail to the King (Kong) focused on Kong’s appearances as a cover model for Famous Monsters of Filmland, the legendary horror magazine. He’s a very photogenic monkey!

giant-classic-kongAnd on March 25, for Simian Saturdays I reviewed Giant Classic King Kong, an Alberto Giolitti–drawn comic-book adaptation of the original Kong published by Gold Key Comics in 1968.

And that’s the month! A pretty busy one, wouldn’t you say?

King Kong (the SWC edition) is available for download through the SWC webstore. Visit its product page for ordering information.

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SWC Comic Creators in the News

jungle-queen-shevaWe don’t usually go plugging other companies’ releases—unless I can find some way to shamelessly plug one (or more) of our titles—but when it comes to helping get the word out on projects from people we know and work with, well, how can even StarWarp Concepts pass up an opportunity to show its support? So here’s the latest word on three of our creative friends!

First up is Eliseu “Zeu” Gouveia, the super-talented artist for our Saga of Pandora Zwieback comics, the graphic novel Lorelei: Sects and the City, and the Illustrated Classics Carmilla and A Princess of Mars. Zeu’s a bit of a stealth artist; I usually don’t find out about his projects until long after they’ve been announced—or published, as in the case of Jungle Queen Sheva, his self-published ode to classic “jungle girl” comics of the 1940s, like Sheena, Queen of the Jungle.

equilibrium3In June, he has another project coming out: Equilibrium #3, the Patrick Shand–scripted conclusion of a miniseries sequel to the 2002 sci-fi “gun-fu” action movie starring Christian Bale (Batman Begins) and Taye Diggs (Empire). Or as publisher American Mythology Comics puts it in the Diamond Prevues catalog: Artist Eliseu Gouveia comes to the rescue, delivering the final explosive chapter of the official sequel to the cult hit film, Equilibrium! I’m not sure that’s the right way to go soliciting a comic to retailers—it pretty much implies that your original artist screwed up and you’re relying on a new artist to step in and “save” it—but hey, whatever keeps your production schedule on track. But maybe next time, guys, you should just hire Zeu to draw your comics from issue 1 on—he’s got a reputation for never missing a deadline!

MightyMouse1Next we have Sholly Fisch, a longtime professional comics writer (and old college buddy of mine) who contributed the fun, demon-led story “After Hours” to The Saga of Pandora Zwieback Annual #1. If you’re a fan of DC Comics, you might recognize Sholly as the writer of such titles as Action Comics, Batman: The New Brave and the Bold, and, currently, Scooby-Doo Team-Up. Shol has branched out to other characters in recent years, writing a Mr. Peabody & Sherman miniseries for IDW that served as a prequel to the 2014 movie. And now he’s handling another classic animated character: Mighty Mouse!

Scheduled for June release, Mighty Mouse #1 is the first part of a five-issue miniseries for Dynamite Entertianment. Sporting full-color interior art by Igor Lima and a cover by award-winning painter Alex Ross (Marvels, Kingdom Come), its solicitation copy states: You’re the world’s greatest hero, exiled to another dimension with no way back. Trapped in an alien world, where not even the laws of physics work the way they should. The only person who even believes you exist is a young kid whom no one will listen to. Yet, you’re the shining light that this drab, cynical world needs to restore its color and life. Oh—and you’re a cartoon mouse. Here comes Mighty Mouse to save the day, in his most unexpected adventure yet…right here, in the real world!

torture-reportFinally, there’s Ernie Colon, the comic-art legend who drew Sholly’s “After Hours” story for the Pan Annual, and whose numerous works include DC’s Amethyst, Princess of Gemworld (the original version), Marvel’s Damage Control, Atlas Comics’ Grim Ghost, Harvey Comics’ Casper the Friendly Ghost and Richie Rich, and the award-winning, New York Times bestselling nonfiction graphic novel, The 9/11 Report: A Graphic Adaptation. Ernie’s got a new nonfiction graphic novel on sale today: The Torture Report: A Graphic Adaptation, which reunites him with his 9/11 Report writer, Sid Jacobson. To quote its solicitation copy: On December 9, 2014, the Senate Select Committee on Intelligence released a report that strongly condemned the CIA for its secret and brutal use of torture in the treatment of prisoners captured in the “war on terror” during the George W. Bush administration. This deeply researched and fully documented investigation caused monumental controversy, interest, and concern, and starkly highlighted both how ineffective the program was as well as the lengths to which the CIA had gone to conceal it. A serious subject matter, to be sure, but a book guaranteed to contain incredible art from Ernie.

So that brings us up-to-date on—

Oh, wait—did I say we don’t usually go plugging other companies’ releases unless we can find some way to shamelessly plug one of our projects? Well, when it comes to those highly talented gentlemen, perhaps you’d like to check out the comic in which the work of all three of them appears!

pan_annual_lgThe Saga of Pandora Zwieback Annual #1 is a comic-book spinoff from my novel series, and this 56-page, full-color special finds the teenaged Goth adventuress battling vampires and a jealous, man-stealing siren. Behind that striking cover by award-winning artist Henar Torinos (Mala Estrella), it features:

  • “Song of the Siren,” written by me, with art and color by Eliseu Gouveia, in which Pan and her boyfriend Javier attend one of his family’s picnics in Central Park, and run into Javi’s ex-girlfriend, Sophia—who turns out to be a mythological siren!
  • “After Hours,” written by Sholly Fisch and illustrated by Ernie Colon. It tells the tale of a most unusual New York City bar—and the demon who walks into it after a hard day on the job.
  • And “Shopping Maul,” a short story by me, with title page art and color by Elizabeth Watasin (Charm School), in which Pan and her friends run afoul of a group of Elegant & Gothic Lolita vampires in a shopping maul.

Critics sure loved this comic:

“Roman demonstrates yet again his ability to write in the voice of a teenage girl without resorting to the petty whining and needless angst that seem to plague a lot of the female teenage characters in books today… I would readily and heartily recommend this comic to anybody.”Word of the Nerd

Roman mixes young adult fantasy with themes like ‘young love’ but also with equal parts of ‘female empowerment’ and lets Pandora be a real and true voice. The art by Eliseu Gouveia is just stellar and makes a perfect match for the main story.”Comics For Sinners

The Saga of Pandora Zwieback Annual #1 is available in both print and digital formats, so visit its product page at StarWarp Concepts for ordering information and sample pages.

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