Pandora Zwieback and the Blustery Day

Brooklyn Book Festival 2011! An outdoor event apparently held this year in a wind tunnel, which often required you to grab hold of the open-air tent surrounding your booth and pray you didn’t get carried off to Oz as you fought to keep a roof over your head.

So, how did it go otherwise? Read on!

Chapter 1: A Chilly Reception

It was my first time visiting this now six-year-old publishing event that continues to grow in popularity (and attendance size). Since my experience up to this point has exclusively been comic-book conventions, I was curious to see how the book-buying public would react to the arrival of a dark-fantasy publishing house in a living, breathing New York Times Book Review filled with highbrow bestsellers and the self-described “literati.”

Okay, that I wasn’t expecting. I must’ve just missed the angry townsfolk with the torches and pitchforks…  😉

All right, no big deal. So my exhibitor’s tent has been turned into trash by the 20-mph “breezes” the weathercasters had said would be blowing through the tri-state area. I can figure this out. (A note to all TV weather forecasters: a 20-mph gust is not a breeze, it’s a mini tornado. It’s like saying tomorrow will be “a little chilly” when it’s 20° F outside. Stop it, dumbasses, you’re not being witty.)

Typical New Yorker. Even Christopher freakin’ Columbus looks the other way, instead of lending a hand! But after my brother Frank jumped in to help right the ship, and a festival worker roped down a few well-placed cinder-block weights…


 

 

Okay, now we’re in business! Unfortunately these are the only photos I’ve got—Frank had work to do, and my buddy J.D. wasn’t able to attend, so there was no one around to work the camera. But I do have some amusing anecdotes for you…

Chapter 2: My First Sale

Papi, you have to buy this for me!” the girl insisted, pointing at the Blood Feud cover.

It was about two hours into the show and I’d just explained to this girl, her friend, her dad, and her grandmother what the Pan series was about. She looked to be about 11 years old, so I wasn’t exactly sure she should be getting it—it’s marketed as being for 14 and up, and the word “asshole” pops up a few times—but Dad merely shrugged.

“She’s into horror big time, now,” he said. “She was watching Hellboy the other night.” (I’d used my patented “Ellen Page and Salma Hayek in a Hellboy movie” high-concept description, which definitely got the girl’s attention.)

“I love Hellboy!” the girl said. “Oh! And Van Helsing!”

Seriously? Well, okay, some points lost for enjoying that crapfest—I mean, Van Helsing really is a terrible movie—but every kid needs an introduction to horror, and the family-friendlier it is, the better. For me, it was the original King Kong on TV; for her, Van Helsing. She’s young; she’ll learn.

And she finally did browbeat Dad into buying copies of the book for her and her friend—even though it was Grandma who paid for them.  😀

Chapter 3: “Hey, Isn’t This Like…?”

“So what’s this about?” asked the young woman, after thumbing through a copy of Blood Feud.

“It’s a series about a sixteen-year-old girl who can see monsters, teaming up with a 400-year-old, shape-shifting monster hunter. The first two books are about a vampire war that they get caught in.” (Hang around my booth long enough, and you’ll hear that word-for-word description—or slight variations on it—every time.)

“Hey, that sounds like that other thing!”

“What?” I waited for the inevitable comparison to Buffy the Vampire Slayer—which, in most circles, has become pop-culture shorthand for anything that involves a contemporary urban setting, the supernatural, and teens, or any combination thereof. Hell, a succubus character I created was once described by a comic-book reviewer as a cross between Buffy and her vampire boyfriend Angel—even though my character had been created in 1988.

“That thing where they fight vampires and…”

Okay, here it comes. Go ahead. Tell me Pan is just like Buffy. I’m used to it.

“Oh, no, wait. I was thinking of Twilight. It sounds like that.”

Gak. The sparkly emo-vampire thing? Blood Feud sounds like that?

“Er…thanks?”

Chapter 4: “Books for Boys!”

So this old bid— er, woman slowed down in front of the tent, and her gaze moved across the table, taking in the book covers. She didn’t look pleased by what she saw—more like disgusted.

I smiled and gestured to the stack of Pandora Zwieback #0 comics. “Free comic?”

She snarled and pointed to the three titles. “Books for boys!” she practically spat out.

“Actually, they’re for girls,” I said, still being polite. Y’know, there’s just never an 11-year-old horror fangirl around when you need one to plead your case…

Not that it would have made any difference. The woman snorted angrily and moved on.

Interesting. I guess for her, girls are supposed to read only romance books. Maybe Twilight? (Y’know, my book has been compared to it.) But an action-adventure series with a Gothed-out female lead? Apparently something to be scoffed at.

Okay, lady, no free comic for you.

And then it was time to pack up and head home.

Epilogue

So overall, how was the Brooklyn Book Festival? Fairly entertaining, the many, many people I talked to were great (especially the librarians and the folks who purchased books—thanks!), and business did pick up as the day went on, but at this point a return trip next year is a question. I’ve already started making plans to attend next year’s Baltimore Comic Con, which is being held September 8–9, and the book festival may overlap that weekend. We’ll have to see.

On the other hand, if you’re a book lover then you should definitely stop by next year’s show. Admission is free, and it’s easy to get to. For more information, head over to the Brooklyn Book Festival Web site.

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We Are Looking for the Brooklyn Queens


Spread the word: The Brooklyn Book Festival is being held this Sunday, September 18th, at Brooklyn Borough Hall Plaza—and StarWarp Concepts will be in attendance!

BOOTH # 115 is where you’ll find me hawking all the Starwarp Concepts titles, accompanied by my buddy J. D. Calderon, author of the fantasy webcomics The Oswald Chronicles and Tall Tails. (J.D.’s just there to hang out, but that shouldn’t stop you from checking out his site.) It’ll be a good time for you to purchase copies of Blood Feud: The Saga of Pandora Zwieback, Book 1, Carmilla, and The Bob Larkin Sketchbook in case you’ve had any trouble tracking them down.

Swing by and pick up a free copy of the Saga of Pandora Zwieback #0 comic book (print version) and Pan bookmarks—while supplies last, of course.

BOOTH #115 is located right in front of the Columbus Statue Garden, in the shadow of the Kings County Courthouse—and steps away from the Borough Hall subway entrance. You couldn’t ask for a more convenient location. Hope to see you there!

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The Secret Origin of Sebastienne Mazarin (Part 1)

Back on August 24th you were introduced to Pandora Zwieback 1.0—the original, non-Goth version of Pan that I created for an unfinished screenplay in 1984. But how about her mentor, Sebastienne “Annie” Mazarin, 400-year-old shape-shifter and professional monster hunter—where did she come from?

Would you believe from comic books? Yes, indeedy.

The project began in 1993, with a comment made to me by artist Louis Small Jr., who at the time was being heaped with praise for his work on Harris Comics’ new Vampirella series (recently reprinted in Dynamite Entertainment’s Vampirella: Masters Series, Vol. 5). Although comic fans loved his art, he wasn’t feeling much of that love from his bosses at Harris—in fact, they’d already started promoting the artist scheduled for the next story arc! Understandably annoyed, Louis wished he could create his own Vampirella-type character, to show Harris what they were missing out on by ignoring him.

A few days later, I presented him with Heartstopper, a proposed series about a shape-shifting monster hunter named Sebastienne Mazarin: half French, half Brazilian, all badass.

As I explained to Louis, having Annie as a shape-shifter instead of a vampire would deflect any negative comments about how he was just trying to rip off Vampirella by drawing another female bloodsucker. And making Annie a Latina would help her stand out from the multitudes of white superhero women that dominated the market. Louis agreed, and got to work sketching.

The first thing you probably noticed is Annie’s wearing a lot less than today’s version. Such was the state of the industry in the 1990s—a decade when having a half-naked female character in your comic practically guaranteed it would get published. And sell phenomenally well. It’s a period now known as “the bad girl era.”

(Bad-girl comics—for those of you unfamiliar with the term—starred heroines who possessed a lot of attitude but very little clothing; a bikini and thigh-high boots with stiletto heels were the basic uniform. Vampirella, Catwoman, Lady Death, Shi, Flare, Witchblade—the list was endless. And the one thing they had in common was that they sold insane amounts of copies—because fanboys DO luv their scantily clad fantasy women…)

True to form, the bad-girl approach worked. Louis and I had gotten a bit chummy with Joseph Monks, co-creator (along with artist Joseph Linsner) and former writer/publisher of the horror comic Cry For Dawn. After a creative-differences split with Linsner, Monks planned to continue publishing and was looking for projects. When I pitched Heartstopper he said it was definitely something that would make for a good series, and wanted it to be one of CFD Productions’ new titles. (I’m pretty sure it was Louis’s sketches that sold him.)

First, though, he wanted to tease the series in the first issue of his anthology series NightCry.

That sounded like a good plan, so Louis and I got started. I wrote the first-issue script, and Louis…ran into scheduling problems. Apparently those Vampirella issues he drew proved to be more popular than expected, and now he was being flooded with art commissions and offers to draw comics for other, larger publishers. And when you’re a freelance artist trying to make a living from drawing comic books, you’ve gotta go where the money is. (Being a freelancer myself these days, I understand that logic all too well.) It was easy to see that Louis would never have the time to focus on Heartstopper.

That didn’t stop him from trying, though. He managed to complete eight penciled pages as the deadline for NightCry #1’s trip to the printer drew ever closer. Then Monks—realizing he had room for only four of those pages (one of the other stories ran long)—handed them off to an inker to make that deadline, rather than give Louis time to ink them himself.

The problem was, the new guy was a rookie inker. Never been published. Never really inked anybody before, either. The results were…pretty ugly.

In the end, between the bad art job and Louis being unavailable to work on the series, it was decided that Heartstopper was not going to be one of CFD’s new titles. In retrospect that was just as well—the company folded two years later—but I was still disappointed.

But, I thought, maybe if I can find another artist who’s as good with the bad-girl stuff as Louis is, I can try and place the series with another publisher.

And that was when an equally talented artist named Uriel Caton entered the picture…


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We’ve Got E-books!

That’s right! Available for purchase right now from DriveThru Horror is the PDF edition of Blood Feud: The Saga of Pandora Zwieback, Book 1!

Well, no, you can’t buy it for a dollar, but the low, low price of $4.99 is just as good, isn’t it? Of course it is!

Also available is J. Sheridan Le Fanu’s vampire classic Carmilla ($3.99!), which features six beautiful illustrations by resident Pandora Zwieback artist Eliseu Gouveia.

It’s a baby step into the 21st century for StarWarp Concepts, but we are working on other platform editions (Kindle, Nook, Kobo, etc.); I’ll have news on each one as they become available. For now, just click on the DriveThru logo above to check out the first two SWC releases!

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I Think I’m Seeing a Pattern, Here…

The good news keeps on coming for Blood Feud: The Saga of Pandora Zwieback, Book 1! If I’m not careful, I might actually start thinking I’m some amazing, big-time writer!  😉

Lady Kell of the UK’s BCF Book Reviews has posted a rave review:

“Attention all monster maniacs, vampire victims, Goths, fans of the macabre and all-out urban fantasy, paranormal and supernatural snapper-uppers—there’s a new series on the market and you’re gonna love it!”

Read the entire review here.

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This Just In: Superdogs Love Zwieback!

Hey, everybody—it’s the first-ever review of Blood Feud: The Saga of Pandora Zwieback, Book 1!

Ashleigh Mayes, founder of the blog Krypto Dies, has posted her review of Pan’s first adventure, and I think it’s safe to say she really liked it:

“This book absolutely sucked me in and didn’t let me go! I found myself being late to work and class and ignoring the rest of the world. The characters are beautifully developed and relatable. Pandora is so three dimensional that you feel like you’ve known her your entire life…. No matter what genre you’re into, Blood Feud has something to offer any reader of any age.”

Read the entire review here.

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Even the Undead Love Zwieback!

Another day, another fantastic review of Blood Feud: The Saga of Pandora Zwieback, Book 1!

The vampire-fan blog Taliesin Meets the Vampires—which recently enjoyed the StarWarp Concepts release of the classic novella Carmilla—has posted their review:

Blood Feud is a young adult book that does the all-important job of translating well to an adult audience…. Roman’s writing is wonderfully crisp, drawing us into a hidden world that is great fun.”

Read the entire review here.

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Teenage Mutant Ninja Novels

Believe it—I was supposed to write a trilogy of novels starring the Teenage Mutant Ninja Turtles!

No, really.

In honor of IDW’s new Teenage Mutant Ninja Turtles comic book series hitting shops this week, I figured I’d share with you folks one of my “Tales of Development Hell”: behind-the-scenes stories of projects I was signed to write, but which never got past the development stage.

This particular project started with meetings around 2002 or 2003 between publishing house ibooks, inc. (where I was working as Editor-in-Chief) and Turtles co-creator Kevin Eastman, and eventually led to me being offered the assignment (they liked my pitch). In a rapid exchange of e-mails among myself, Kevin, and his creative partner Peter Laird, it was decided the trilogy—Teenage Mutant Ninja Turtles: The Jewels of Ishla’non—would be a sequel to a Donatello one-shot comic published back in the ’80s.

That comic dealt with Don meeting an artist named Kirby—who looked suspiciously like late comics legend Jack “King” Kirby—and the quick adventure they shared, with Kirby having come into possession of a mysterious gem that allowed his drawings to come to life. (How he got the gem was never explained, beyond saying he’d found it in a coal bin.) The one-shot ended with Kirby stepping through a portal he’d drawn, leaving him on a fantasy world where monsters were fighting humans; Kirby went to help the latter.

The first novel would have picked up the story from there and involved the discovery of a second jewel, culminating with the Turtles, April O’Neill, Casey Jones, and the jewel’s owner, a woman named Roz (a tribute to Jack’s late wife), journeying to that other world—Ishla’non—to find Kirby. With his help, they would try to prevent an evil wizard from gathering all seven of the fabled jewels and ruling the planet. And after the heroes ultimately won out the Turtles would return to Earth, and Kirby and Roz would live Happily Ever After in Ishala’non.

The cover artist chosen was Bob Larkin (now the cover painter of our Pandora Zwieback novels), As you can see from the cover sketch here, at the no-I-won’t-back-down-on-this-decision insistence of ibooks’ publisher, he was directed to draw a deliberate knockoff of the Brothers Hildebrandt’s cover painting for Terry Brooks’s novel The Sword of Shannara.

Let me tell you, Bob was not happy being told to imitate someone else’s art, but a job was a job and he tried his best, even though depicting mutant turtles isn’t really one of his artistic strengths. In fact, the “models” that posed for him were actually TMNT action figures that I bought at Toys R Us!

(BTW, you’ll find the un-watermarked illustration in our BOB LARKIN SKETCHBOOK, soon to be available exclusively through our webstore.)

As things turned out, however, the trilogy never got past the development stage. Although ibooks was all set to go on the project, the sales force for its distributor, Simon & Schuster, made it clear they weren’t interested in trying to sell what they perceived as a “kids’ property.” (Blasted breakfast cereals and toys!)

And so the Turtles quietly slipped back into the shadows like the ninjas they emulate…to continue making tons of cash for other companies!

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Taliesin Meets Carmilla

Here’s some good news to start the week! The vampire-related blog Taliesin Meets the Vampires has put in a few kind words for Carmilla, our first illustrated classic. They especially liked the illustrations by Pandora Zwieback and Lorelei artist Eliseu Gouveia!

“…I was rather taken by the illustrations, as they gave the volume a period feel, reminding me very much of books I used to leaf through as a child.”

You can check it out here.

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Buy Crom!

Today’s the day the new Conan the Barbarian movie hits theaters, and in honor of the occasion we present a trio of classic Conan covers by our friend (and Pandora Zwieback cover painter) Bob Larkin! Next to Doc Savage and the Incredible Hulk, Robert E. Howard’s Cimmerian hero is one of Bob’s most famous painted subjects.

FYI 1: The late actor Steve Holland, star of the 1950s TV version of Flash Gordon, was not only Bob’s Doc Savage photo model—as he was for James Bama before Larkin—but he also posed for Bob’s Conan, Hulk, and Tomb of Dracula paintings, among many others.

FYI 2: That guy Steve Holland-as-Conan is strangling on the Savage Sword of Conan cover? That’s Carmilla cover photographer Marc Witz. Now there’s a guy who really suffers for his art!  😉

Speaking of the legendary Mr. L, you do know we’ve published his BOB LARKIN SKETCHBOOK, right? Well, you should! It’s 24 pages of his pencil wizardry, featuring superheroes, pulp adventurers, and a wrestling star or two. Just one look, and you’ll see why artists like Alex Ross and Joe Jusko consider Bob to be their gold standard of excellence.

By Crom, you’ll buy a copy once we’ve got the webstore up and running—or else we’ll be forced to crush our enemies, see them driven before us, and hear the lamentation of their women! And you wouldn’t want to be on that enemies list, would you…?

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